HAMMER KING - Hammer King
Album Reviews

HAMMER KING – Hammer King

Although the first country that comes to mind when one hears the phrase “Thrash Metal” is most likely the US, it is not the only place to have fast Metal bands sprout one after another back in the 80s. One of those places is certainly Germany. Like the States have their legendary Bay Area Thrash and more crude and raw East Coast Thrash, Germany has their Teutonic Metal scene. With such legendary acts as Destruction, Kreator, Tankard or Sodom to name just a few, the German fast Metal scene quickly became one of the heaviest ones out there. And even now, almost four decades later, it still brings new decent bands. One of them, known as Hammer King, has just released their third record which also happens to be their self-titled one. These guys certainly do not bum around. If anything can be said as soon as the first track “Awaken The Thunder” kicks in, then it is that this music is absolutely tight and solid. There seem to be no flaws and this concerns the whole album, not just the first track. It is generally known that people in Germany are very precise and reliable when it comes to various branches of industry that involve the making of things made of metal. Various makes of decent cars, posh high speed trains… but it’s not just that: it’s about the Metal bands as well and Hammer King is a spot-on example for sure. No single drum beat, no guitar or bass note… literally no single thing is out of place here. And the production – these guys certainly don’t represent the “What’s the cheapest studio we can afford?” attitude, but instead they’re more towards “What is the very best studio we can get away with?” So what does Hammer King …READ MORE

MADHOUSE - Braindead
Album Reviews

MADHOUSE – Braindead

In these days of a thousand sub-genres (the arrival of Belgian jazz-opera interpretive dance metal cannot be far away), it ought to be easy to find interesting, authentic new music. Alas, in many cases, it seems that attaching a flakey label to a group of metallers signifies that something of regional, rather than general interest is likely to follow. This much is true of “Teutonic Metal” combo Madhouse. Steeped in the German thrash explosion of the 1980s, their sound is a shoutier, slightly more caustic affair than their Bay Area counterparts – a shot of vinegar to the mouth with nothing to cleanse the palette. The end result is a band that has something of the lost tourist about them. Familiar enough with their own culture, but haltingly self-conscious when they try and make themselves understood beyond its borders. Not that this will bother Madhouse or their followers. Opener “Break The Ice” sets out the manifesto very clearly. Aggressive, blade on steel guitars? Check. Disregard for the virtues of melody? Check. Tortured delivery that makes Metallica and Megadeth sound like they are writing music for a World Health Authority documentary on African water shortages? Check. It would be neither facile nor flippant to say that this description applies to the rest of the album. “Never Say Die” flails away with evil intent, the harmonic structure given a slightly novel twist by the presence of a neo-classical chord progression. “Braindead” brings at least a flicker of variety, its clean picked beginning blooming into a funereal stomp that Dracula would be happy to employ at his nuptials. “Oscar” even showcases a fleeting Deep Purple reference, before normal service is resumed. In truth, repeat listens to “Braindead” do not reveal a path to hidden gems. Didi Shark’s staccato hollering sounds like he is …READ MORE