German/Bangladeshi death metal band KHNVM are set to release their fourth album entitled Cosmocrator on August 29th. KHNVM’s frontman Obiterator spoke with Metal Express Radio about their upcoming album, experiences from playing open-air festivals, Germany’s strong metal scene, and more. Check out the chat below!
Metal Express Radio: Your band, KHNVM, are set to release their fourth album entitled Cosmocrator on August 29th, what can you tell fans about the upcoming release?
Obliterator: First of all, Thanks a lot for the invitation for the interview. Cosmocrator will be unleashed upon the mortal realms on August 29, 2025. This album represents the pinnacle of our creative journey—an embodiment of our most refined songwriting, thought process, and arrangement work to date. The recording process spanned six months, during which we meticulously shaped each track into a form we are proud to present. Despite featuring only seven songs, including one instrumental, Cosmocrator delivers a diverse and emotionally charged experience.
The early reactions from listeners around the world have been overwhelmingly positive, affirming the depth and authenticity we’ve poured into this release. In a genre where lyrical content is often overlooked, we’ve made a conscious effort to elevate the narrative and poetic dimension of our music. This is not just another death metal album, it’s a visceral, honest, and immersive journey. Whether you’re streaming or purchasing a physical copy, we encourage you to grab a coffee, settle into your favorite spot, and prepare yourself for a whirlwind of aural intensity.
MER: How was the writing and recording process having this being KHNVM’s fourth album?
Obliterator: The writing process for Cosmocrator began in late 2023, when I laid the foundation by arranging all the songs and composing the core riffs. These initial structures were then sent to Manuel, our session drummer for the album, who began learning and developing the drum parts. During this phase, the skeletal framework for the drums was also established. In December 2023, we entered the studio to record six of the tracks. Manuel delivered an outstanding performance, completing all drum recordings in just a day and a half—a testament to his skill and dedication.
Following the drum sessions, I took a brief hiatus to focus on my professional responsibilities. I work as a Data Scientist at KWS, a globally respected seed production company. From mid-March to July 2024, I resumed work on the album, recording all guitars, bass, and additional synth layers. In August 2024, my wife underwent a critical surgery—a deeply emotional period that left me vulnerable and introspective. During that time, I channeled my thoughts and emotions into writing six lyrics, which ultimately became the lyrical backbone of Cosmocrator. These words reflect a spectrum of feelings that defy simple categorization—neither black nor white, but something far more complex and human.
The mixing and mastering were handled by Ekaitz of Blackstorm Studios, also known for his work with the formidable death-thrash band Sijjin. He not only re-amped the tracks and brought them to life through his mix and master work but also contributed a blistering guest solo on the track “Venom Spawn.” This album was a true team effort. After 38 mix iterations, we finally arrived at the perfect sound. The final master was then submitted to Testimony Records for publication.
MER: How would you compare this to your band’s previous four albums?
Obliterator: To be honest, it’s incredibly difficult to compare albums across different stages of my personal and musical evolution. Each release reflects a distinct chapter of my life—emotionally, spiritually, and artistically. Cosmocrator, our fourth album, stands apart because I was in a completely different state of being during its creation. It’s not just a progression; it’s a transformation. That said, there are some signature elements that invite comparison. For instance, I deliberately aimed for a mid-tempo feel throughout this album, with a strong focus on live performance energy—making the songs engaging and dynamic on stage.
In terms of pacing, it shares similarities with our second album, Portals to Oblivion, but the songwriting here is far more mature and intense. Unlike our previous releases, I chose to exclude ethnic instrumentation entirely. Instead, I wanted the guitars and riffing to take center stage, serving as the primary vehicle for expression and atmosphere. This decision helped shape a more focused and cohesive sonic identity for Cosmocrator.
MER: You recently released song from the album entitled “Fetid Eden”; do you feel that song represents the album well?
Obliterator: “Fetid Eden” is not merely music – but a visceral report from the heart of conflict. This track plunges listeners into the brutal aftermath of war, where shattered dreams lie scattered like debris across ravaged landscapes, and the echoes of loss reverberate through the silence. This is a soundscape where the weight of existence is amplified by the relentless machinery of war and every breath is a struggle against the suffocating grip of despair.
“Fetid Eden” serves as a stark reminder of the enduring human cost of conflict, a descent into the gore-soaked reality that lies beyond the headlines. As the lead single of our upcoming album, it signals our unflinching commitment to confronting the darkest aspects of the human condition in a world consumed by violence.” This track encapsulates everything I envisioned for the album. It’s not linear—there’s space to breathe, yet it’s rich with layers and movement. It also translates incredibly well to a live setting. As the lead single, it truly earns its place, setting the tone for what the rest of the album has to offer.
MER: What do you see as plans for you and your band to promote the album?
Obliterator: We have an ambitious roadmap ahead, which includes the release of multiple music videos, and a series of album launch concerts across Germany. We’ve scheduled five album release shows in total—taking place in Wermelskirchen, Braunschweig, Berlin (twice), and Rostock. Looking ahead to 2026, it’s shaping up to be an incredibly busy year. We currently have three tour opportunities on the table: one in Southeast Asia, one across Europe, and one in Mexico.
While these are still in the planning phase, organizing international tours in today’s uncertain economic climate presents significant financial challenges. As the sole person managing the band’s finances, this adds considerable pressure on my end. To support our plans, we’ve applied for a German cultural grant. The outcome of that application will play a key role in determining which tour we pursue. Once we receive a decision, I’ll be able to move forward with the necessary planning and execution.
MER: Who do you hope to tour with and why?
Obliterator: That’s a tough question. I have always wanted to tour with Behemoth, Immolation, Deicide, Morbid Angel (I am Morbid), Decapitated, 1349, etc. There is no particular reason apart from sharing the stages with your Idols. That’s it.
MER: You have headlined tours, and have played a number of large open-air festivals, what have been some of your favorite memories from these experiences?
Obliterator: Yes, there are some festivals which we enjoyed thoroughly. Normally we are not that much lucky in terms of weather when it comes to open air festivals. But one festival still I mention in my interviews is the Inflammen Open Air Festival in 2022. We were the first band for Saturday, and we were playing on the tent stage. When the intro of our set started, there was very few people and I was thinking okay, it is supposed to be like this. And then after first song I looked at the crowd, and it was full in every inch. At least 2-3 thousand people were enjoying our music and honestly that was the biggest merch sales in our band’s career. We sold around 120 Shirts and 50 vinyl/cd’s in a single fest. That was crazy EPIC!!
And also, I would like to mention our Brazil headlining tour in 2023. It was itself a novel of memories and experiences. We played 12 shows in 13 days covering 2/3rd of Brazil and playing in front of 30 people in a small club as well as playing in one of the biggest festivals in Brazil, KOOL Metal Fest along with legendary D.R.I and also Violator!! The scenic beauty, food and culture totally blew me away and I wish to return again to Brazil in 2027.
MER: Is there anywhere you hope to play live that you haven’t and why?
Obliterator: There are indeed some cities and countries where I would like to play. For example, I am really looking forward to playing in Mexico and UK in near future. Also, Asia and Australia is also in my list. Though I have already played in India and Nepal but definitely would like to play in Thailand, Indonesia, Philippines, Japan, and more!
MER: Germany is well known for their Metal scene; how does it feel to be a part of it?
Obliterator: Germany has one of the most vibrant and supportive metal scenes in the world. Every major city hosts a passionate community, and it’s entirely possible to organize a successful tour solely within the country. What truly sets Germany apart is the deep respect and appreciation the audience has for the artists and their craft. For anyone serious about pursuing metal music, Germany isn’t just an option—it’s the ideal destination.”
MER: Out of your band’s four albums what is one you would suggest to a new fan and why?
Obliterator: For new listeners, I recommend starting with our third and fourth albums. The third album, Visions of a Plague-Ridden Sky, showcases a compelling blend of groove, speed, and intricate solos that highlight our musical range. Meanwhile, the fourth album offers a more accessible entry point for newcomers, both in terms of sound and lyrical depth. Its themes are especially resonant for those who take the time to engage with the lyrics, making it a meaningful experience beyond just the music.
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