ROBIN McAULEY (Live)

at The Cluny, Newcastle, U.K., August 15, 2025

Photo: Mick Burgess

It was somewhat unfortunate that Robin McAuley’s show clashed with the Dead Daisies playing a mile or so across the City yet those in attendance of the ex-Grand Prix and McAuley Schenker Group frontman, were in no doubt that they’d made the right decision.

Drawing on his rich catalogue going right back to 1982, McAuley delivered a crowd pleasing set of Grand Prix and McAuley Schenker classics together with cuts from his recent solo albums.

With a set bookended by MSG’s “Save Yourself” and a superb “Love Is Not A Game”, McAuley was on fire. His melodic, powerful voice with a nice gritty edge to it, defied his 73 years, leaving many of his peers by the wayside.

Hearing those old Grand Prix songs was a real treat with the anthemic “Shout” and a wonderfully epic “Samurai” sounding even more potent on stage. MSG’s “This Is My Heart”, “Anytime” and the hook laden “Gimme Your Love” and “Take Me Back” was a reminder of just how many great songs this union created.

It wasn’t all about nostalgia though with the punchy “Standing On The Edge” and the Van Halen romp of “The Best Of Me” standing proudly alongside his more vintage material. It was however a stunning “Alive” from his 2023 album of the same name that stole the show with a vocal drenched with passion and emotion.

Author

Mick Burgess
Mick Burgess· 1074 articles
Mick is a reviewer and photographer here at Metal Express Radio, based in the North-East of England. He first fell in love with music after hearing Jeff Wayne's spectacular The War of the Worlds in the cold winter of 1978. Then in the summer of '79 he discovered a copy of Kiss Alive II amongst his sister’s record collection, which literally blew him away! He then quickly found Van Halen I and Rainbow's Down To Earth, and he was well on the way to being rescued from Top 40 radio hell! Over the ensuing years, he's enjoyed the Classic Rock music of Rush, Blue Oyster Cult, and Deep Purple; the AOR of Journey and Foreigner; the Pomp of Styx and Kansas; the Progressive Metal of Dream Theater, Queensrÿche, and Symphony X; the Goth Metal of Nightwish, Within Temptation, and Epica, and a whole host of other great bands that are too numerous to mention. When he's not listening to music, he watches Sunderland lose more football (soccer) matches than they win, and occasionally, if he has to, he goes to work as a property lawyer.

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